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Multiplatform innovation and participatory citizenship : the Australian Broadcasting Corporation’s digital children’s television projects

机译:跨平台创新和参与性公民:澳大利亚广播公司的数字儿童电视项目

摘要

This paper examines children’s multiplatform commissioning at the Australian Broadcasting Corporation (ABC) in the context of the digitalisation of Australian television. A pursuit of audience share and reach to legitimise its recurrent funding engenders a strategy that prioritises the entertainment values of the ABC’s children’s offerings. Nevertheless, these multiplatform texts (comprising complementary ‘on-air’ and ‘online’ textualities) evidence a continuing commitment to a youth-focussed, public service remit, and reflect the ABC’s Charter obligations to foster innovation, creativity, participation, citizenship, and the values of social inclusiveness. The analysis focuses on two recent ‘marquee’ drama projects, Dance Academy (a contemporary teen series) and My Place (a historical series for a middle childhood audience). The research draws on a series of research interviews, analysis of policy documents and textual analysis of the television and multiplatform content. The authors argue that a mixed diet of programming, together with an educative or social developmental agenda, features in the design of both program and online participation for the public broadcaster.
机译:本文研究了在澳大利亚电视数字化的背景下,儿童在澳大利亚广播公司(ABC)进行的多平台调试。为了吸引观众,并争取合法化其经常性​​资金,产生了一项优先考虑ABC儿童产品娱乐价值的策略。然而,这些多平台文本(包含互补的“广播”和“在线”文本)证明了对以年轻人为中心的公共服务职权的持续承诺,并反映了美国广播公司《宪章》的义务,以促进创新,创造力,参与度,公民意识和社会包容性的价值观。分析的重点是两个最近的“字幕”戏剧项目,舞蹈学院(当代青少年系列)和我的地方(针对中年儿童的历史系列)。该研究利用了一系列研究访谈,政策文件分析以及电视和多平台内容的文本分析。作者认为,节目的混合饮食以及教育或社会发展议程,是公共广播公司在节目和在线参与设计中的特征。

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